It’s our lengthiest, most in-depth podcast yet, as Noel and Kate take deep dives on many of the week’s most interesting episodes. We had to talk The 100 and “Thirteen”—and we went so long on it, with friend of the show Maureen Ryan of Variety and Talking TV with Ryan and Ryan, that it’s posted separately, below—but we kick things off with the comedies, talking The Carmichael Show’s premiere, the finales of It’s Always Sunny in Philadelphia and Man Seeking Woman, and a standout Jane the Virgin, among others. Afterward, we check in on The Amazing Race and part one of the Top Chef finale, before diving in with the genre entries, including the midseason premiere of Agents of SHIELD and a philosophical Adventure Time. Last up are the dramas, starting with a slew of premieres and previews: The Americans, And Then There Were None, Underground, Bates Motel, and Of Kings and Prophets. Then we round out the segment with a few more episodes, including the much-anticipated Marcia-centric American Crime Story and the season finale of American Crime.
What do Noel and Kate think of the rise of issues-based comedy? Should characters change over time? Can The 100 win us back, and what exactly happened on Adventure Time? Why isn’t God a character on Of Kings and Prophets, and why do we still belittle women for their hair? Did American Crime stick the landing and does it really matter either way? All of this and much more on this week’s supersized The Televerse.
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Our Week in Comedy
The Carmichael Show premiere (5:30)
It’s Always Sunny in Philadelphia finale (14:20)
Man Seeking Woman finale (16:32)
Girls (21:00)
Jane the Virgin (25:09)
Crazy Ex-Girlfriend (30:21)
Our Week in Reality and Genre
The Amazing Race (36:25)
Top Chef (46:00)
Agents of SHIELD (50:07)
The Walking Dead (57:21)
The 100 (1:08:06)
Adventure Time (1:16:55)
Our Week in Drama
Preview The Americans Season 4 (1:26:20)
Preview And Then There Were None (1:33:57)
Underground premiere (1:37:53)
Bates Motel premiere (1:48:41)
Of Kings and Prophets premiere (1:52:23)
American Crime Story: The People v. O.J. Simpson (1:57:39)
Limitless (2:05:36)
Elementary (2:13:15)
American Crime finale (2:18:32)
Special Segment: The 100’s “Thirteen” and Traumatic TV Character Deaths with Mo Ryan
In lieu of the DVD Shelf this week, Noel and Kate wanted to talk about last week’s controversial episode of The 100, “Thirteen”, during which a beloved character was killed in a problematic—to put it mildly—manner. Joining us to break down this specific character death, how it relates to The 100 as a series, and how it compares to other memorable and traumatic TV character deaths is Maureen Ryan, Chief TV Critic for Variety.
Errata: In this segment, Kate lists characters on The 100 who are lesbian or bisexual, but does not mention Niylah. Also, Mo states that Fear The Walking Dead will have 22 episodes per season moving forward. Season two of Fear The Walking Dead will have 15 episodes. The Televerse regrets the error!
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Articles referenced in this segment: Mo’s piece about “Thirteen” for Variety; Ryan McGee’s post on “Thirteen” and follow-up at his Tumblr; Dr. Elizabeth Bridges’ piece about “Thirteen” at The Uncanny Valley; the Tumblr Kate references, which has a timeline of tweets from showrunner Jason Rothenberg and other members of the creative team at The 100 with where they fall in relation to the production of “Thirteen”.
Additional articles of note: Here’s a handy list of 131 lesbian and bisexual TV characters and how they died, from Riese at Autostraddle; Nicola Choi has written a piece on the fan response for Talk Nerdy With Us; Leskru, a segment of the The 100 fandom, has reacted to “Thirteen” by starting a fundraiser for The Trevor Project. They have already raised over $41K.
Music featured: A big thank you to Taylah Coxx and Revy Dutch for allowing us to use clips from their original songs for this episode!
Taylah’s “Take Care”, which closes out the first half of this week’s podcast, is a song from the point of view of Lexa during The 100’s “Thirteen” and can be heard in full at Taylah’s SoundCloud page.
Revy’s “The Clexa Song”, which opens our discussion of “Thirteen” and traumatic TV character deaths, is available as a charity single at Revy’s Bandcamp page, with all proceeds going to Leskru’s fundraiser for The Trevor Project, a suicide hotline for gay and questioning youth.
Also featured this week: “Gettin Bi’” from Crazy Ex-Girlfriend; “Weeds Or Wildflowers” by Parsonsfield; “Kiss from a Rose” by Seal
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Rate/Review The Televerse on iTunes: m4a — mp3
Bellamy is the male lead character and at the end if it all, Jason will have him as the hero. Bellamy is so just boring.
And I really miss Lexa.
After what the writers have done to Bellamy this season, they’ll have a gargantuan task fixing the character. Hopefully they won’t force it, but seeing as they don’t seem to realize how misjudged his whole arc has been, I’m not holding my breath.
I miss Lexa so much :c
Im stopped watching it’s nothing without Alycia ??
I completely understand. Will you be following her over to Fear the Walking Dead?
Thank you for this podcast!
It has put in to words everything I’ve already been thinking. I’d be curious to know your opinion on the show and showrunner now that new information has emerged about how he has treated his POC cast.
Also. The thing I have loved about The 100 is the character development. Take a look at all the s1 characters where they were at the beginning and look at them at the end of s2. That’s where the strength of this show lay. All the twists and turns led them to that point. The story had meaning. Season 3 for me has been all about PLOT over character. We’re not seeing why these characters are making the decisions they are. There’s no background. There’s no reason. It’s been frustrating. I was hoping that we’d get answers as the season progressed but it hasn’t happened. And then the whole Lexa thing happened and I 100% agree with every point you discussed.
There’s too much happening right now. There’s too many plot holes emerging. And the characters and their developments have been shoved aside for shock value. Put this together with the showrunner and how he has acted (or not) since and I honestly don’t know if I can continue watching. Huge kudos to Javi though. He’s been an absolute gentleman throughout this whole ordeal.
Thanks for listening, C! The shade being thrown the showrunner’s way by certain cast members is certainly telling. I agree that the season’s been focused on plot over character—and when you watch TV for character first and foremost, as I do, that’s a cardinal sin.
[…] the fantastic Trevor Project. I do have one last request, and that is you should listen to this Televerse podcast because there are some very, very important points there—and nobody can dictate your emotion or […]
Thank you so much for this special episode on the 100 and Lexa’s demise. I really love the measured responses that discusses the very real hurt that this story choice and questionable conduct with the social media baiting has caused. I am not part of the LGBT community, but as a straight female watcher I felt betrayed and cheated by the manner of Lexa’s exit. I cannot even begin to imagine how that must feel to a young queer viewer in their teens who was convinced by the creative team behind the show to watch for their “progressive” storyline, only to watch that ripped from them. If you still struggle to understand how this has had real world consequences, I encourage anyone to watch reaction videos for 3×07 on youtube, and see just how destroyed some of these kids are seeing their “happy ever after” be taken from them.
Thanks for recommending the reaction videos—perhaps they should be required viewing for creatives deciding whether to kill off a beloved character. Not that characters shouldn’t be killed off, but that if you get it wrong, this is what can happen. So don’t get it wrong.
I’m glad you talked about the finale fiasco- I think that was hardest thing to watch. It gave hope to fans, and then having Lexa shot less then 3 minutes after they have sex- it was devastating. It also sent a terrible message to not only LGBTQ folks but to everyone- Not only did she die because of her relationship to Clarke, but by her father figure, and RIGHT when she found happiness? Brutal, and totally uncalled for. I think there was sheer arrogance by Jason and the writers- they acknowledged they knew the trope, but thought their writing would be above it.
Yeah. It’s hard to process that the discussion was, “Here’s the trope. It’s a bad trope. But guys, we’re so awesome, when we do it, it will be different!”.
Thanks for this podcast! I’ve never been so affected by a fictional character and I don’t think I will ever get over Lexa’s death. I can’t even think much about it or it will make me sick. It was absolutely disrespectful and offensive and I have no idea how anyone could come up with this whole plot and think it was ok. That been said, it’s nice to see some people are listening to the LGBT community because what JRoth and cia did was an atrocity that needs to be called out. I hope more voices will join.
I can’t know what you’re feeling, but I hope it’s getting better, and know that there are plenty of us listening.
Since you’ve invited your listeners to share their thoughts.. I felt compelled to comment. There are small spoilers about the finale. It was all over twitter list, anyway. Just like the show intended, I’m sure.
It took me about 2 days to get over Commander Lexa’s death (character wise). It was devastating and at the same time, it was unusual. I’ve never been this affected, and I watch a lot of television. I had to get away from the internet. The emotion I was feeling wasn’t the direct result of the death storytelling (It was bad. The death overshadowed the rest of the episode. It was well written. However.. ). I can’t be objective about the episode. The death was that glaring to me. I enjoyed Lexa. Her background and her story. She loved her people. She fought for her people. She fought for Clarke. She was strong and fearless. She was caring and passionate as seen by her time with the nightbloods. She was so good. She ended tragically. It was not a good tragedy. It didn’t serve the real purpose of the meaning. It was a tragedy in a way that the show failed to delivered.
It made it harder for me to get over such a nuanced and a well written character who happens to be queer and a bright beacon of LGBT community. She was the symbol of hope to a lot of people. Adding to the difficulty of getting over a character, her death was cheap. It cheapened the story of what she was and the relationship between Clarke and her. If she had died for her revolutionary cause or like you said, at the very least, jumped in front of Clarke, I would have accepted it a little easier. I would understand. But I don’t. She died because she loved and was concerned Clarke. Costia died because she was Lexa’s lover. Clarke’s life was threatened because of her relationship with Lexa. Niylah was beaten up because she was involved with Clarke. The message may have not been intended. But it does not mean it does not have an impact.
Also, the sadness I felt was the feeling of such a wasted potential. I was in denial for about ten minutes of what just happened. Then I was angry. Angry that the show pulled such a stupid death. Then I was angry at the people who said, “It’s just a TV show. It’s just a character.” Well, we wouldn’t have the Emmy awards if it’s just a character. A queer character’s death holds more weight. You won’t find a character like Lexa in the next TV show as opposed to straight white male characters in literally every other show. We’re not saying a gay character could never die. We’re saying that when you treat Lexa’s character in a disrespectful way, put her in a dangerous trope and not expect backlash, you are blind and lacking self-awareness. Check yourself. Media does not exist in a vacuum. Maybe in a hundred years, where Bury Your Gays trope are long forgotten, LGBT representation’s history are backed with decades of positive progression, maybe Lexa’s death would not matter as much as now. Right now, it’s not the case. It is the showrunner’s responsibility to research about these issues. The scene was not a good job well kind if the goal was getting an emotional response. It was bad. It was stupid.
But I got angrier by the fact that the show had baited and used an already vulnerable community for buzz and ratings. The weekly teases. The constant assurances. It was too good to be true. After day 3, I breathed and was resigned. It was due to unwavering weariness and distraught that came from a community that used to joke about candles and raccoon and heights. Tumblr was filled with incredibly depressing and sad posts. No pictures. No jokes. No gifs were made. The main source of my pain/heartbreak truly really came from that. Young teenagers scrambled to older voices of the fandom for comfort. The adults who had to go through another traumatic death. People sharing emergency links. It’s difficult enough to talk about it. Because every time I do, I’m heartbroken all over again. There’s a fear attachment to this community when we see a queer character and the initial thoughts that will come to mind will be “She’s going to die. Isn’t she?”
Is she? Will she? When will be time? Story wise, I had a feeling she was going to die. I was prepared a little. Years of poor representation had prepared me for the inevitable. When it really happened, I was caught off guard. It was NOT shocking that a queer character had died. It was shocking in a bad art fashion. There was no agency to her death at all. But what frustrates me the most is the show and their interaction with their fans. The show dangled the equal representation in front of them. They created a safe space. Staff sharing pictures of the bed. Like ooohhh a bed!!!! Jason invited fans to the Vancouver set and people were shown that Lexa was there. It created a false hope that maybe Lexa truly survived. It did not help at all. They just made it worse. They took queerbaiting to a next level. I could accept Lexa’s death. But I would never accept the way they used the community. They may have not realised it. But they should have known better than to dangle a nice carrot in front an already desperate and starved community. People are angry because they were betrayed.
Pacing and compression have been tearing this season apart. It was so especially cruel that the death scene took place literally 2 minutes after the love scene. Because that was it. The pinnacle of happiness. This was the moment that people have been waiting for. The love scene was heartbreakingly beautiful. The lighting, the acting, the little tear ADC made that was never scripted. People were over the moon. That was it. It was a high point. Then the death scene. People did not have the right amount of time to process the love scene. Then this? It was cruel. Hope literally crushed in front of their eyes. I’ve watched the reactions and you could see the stark difference. The stupid stray bullet made it worse. The reason of Lexa coming into the room pushed the knife further in people’s already broken hearts. She was killed because she loved. She had been taught early on to prepare for death. She was prepared to die at any time. She talked about death like a countless of times. Love is weakness was embedded in her brain. But Clarke came. Clarke loved back. Love is strength. And Lexa was killed at a moment where she most wanted to live. I laughed when I think about it now. Because it was such a stupid death. The rest of the episode was enjoyable. But it was tainted by the death scene. And the death scene tainted every past interaction of Clarke and Lexa had. I could not watch reruns of past episodes knowing what I know. Maybe in the future. Maybe ‘someday’.
‘Someday’ another message the show gave. Maybe someday. Interpret it how you wish.
The past week on the internet has been interesting. The casts and a PA and Javier have been lovely. Then you have the showrunner only sharing good articles and not acknowledging the grievances of his distraught viewers. His silence speaks volume. An apology or an acknowledgement what you did still comes a long way. It may not get rid the anger but it may help them to heal. It does. It really does. I don’t know whose idea for some of the writers to come on the periscope. Because it sparked a new found anger in the fandom. Someone asked about Bellarke. A writer said something along the lines “The looks he gave her… Lexa was not Clarke’s soulmate something..”. It does not help when the writers deleted their periscope and disallowing people to replay the video. It spreads misinformation. Who handles their PR? Do they even have one? Then I remembered on how they handled their fans and the shipping aspect. All I could say it’s disaster. After the EP8 had aired, the showrunner retweeted a Bellarke fan’s tweets that said bullies, cowards.. basically the LGBT community. Disaster.
This season have been rushing the plots, overshadowing the characters’ development. The plot should always be secondary to the character or at least go hand in hand. That’s why Bellamy’s character this season is hard to watch. That’s why it’s hard to understand where Pike’s xenophobic views coming from. If we had spent some more time in learning what they know, I would understand but still be against their agenda. But they rush that to get to the plot. The Polis storyline was clearly spent more time on and well written, hence was more enjoyable. I already have other problems with the show. This was the last hit. Frankly, I’m not here for this show anymore. The representation made me stay, I’ve realised. But now, it has been crushed terribly. The other characters do not interest me. I love Clarke, Raven, Octavia, Bellamy. But I don’t feel it in me to watch this show anymore. I love sci-fi shows. Unfortunately, the 100 is no longer that for me.
Anyway, I enjoyed this podcast. I don’t mind being emotionally manipulated if it’s a well-made scene. I’ve watched death scenes. There were good ones and bad ones. However, for the 100, I can’t say the same. Because it was made in such a way that made me question loudly of the integrity of the show. I apologise for the lengthy comment. I didn’t realise.
On a personal level, this woman conveys the pain. https://vimeo.com/157873919. On Lexa’s death, this person explains it well. deathtodickens.com/post/140627903075/how-do-you-feel-about-lexas-death-on-the-100
Thank you for this.
Thank you for listening!
Since you’ve invited your listeners to share their thoughts.. I felt compelled to comment. There are small spoilers about the finale. It was all over twitter list, anyway. Just like the show intended, I’m sure.
It took me about 2 days to get over Commander Lexa’s death (character wise). It was devastating and at the same time, it was unusual. I’ve never been this affected, and I watch a lot of television. I had to get away from the internet. The emotion I was feeling wasn’t the direct result of the death storytelling (It was bad. The death overshadowed the rest of the episode. It was well written. However.. ). I can’t be objective about the episode. The death was that glaring to me. I enjoyed Lexa. Her background and her story. She loved her people. She fought for her people. She fought for Clarke. She was strong and fearless. She was caring and passionate as seen by her time with the nightbloods. She was so good. She ended tragically. It was not a good tragedy. It didn’t serve the real purpose of the meaning. It was a tragedy in a way that the show failed to delivered.
It made it harder for me to get over such a nuanced and a well written character who happens to be queer and a bright beacon of LGBT community. She was the symbol of hope to a lot of people. Adding to the difficulty of getting over a character, her death was cheap. It cheapened the story of what she was and the relationship between Clarke and her. If she had died for her revolutionary cause or like you said, at the very least, jumped in front of Clarke, I would have accepted it a little easier. I would understand. But I don’t. She died because she loved and was concerned Clarke. Costia died because she was Lexa’s lover. Clarke’s life was threatened because of her relationship with Lexa. Niylah was beaten up because she was involved with Clarke. The message may have not been intended. But it does not mean it does not have an impact.
Also, the sadness I felt was the feeling of such a wasted potential. I was in denial for about ten minutes of what just happened. Then I was angry. Angry that the show pulled such a stupid death. Then I was angry at the people who said, “It’s just a TV show. It’s just a character.” Well, we wouldn’t have the Emmy awards if it’s just a character. A queer character’s death holds more weight. You won’t find a character like Lexa in the next TV show as opposed to straight white male characters in literally every other show. We’re not saying a gay character could never die. We’re saying that when you treat Lexa’s character in a disrespectful way, put her in a dangerous trope and not expect backlash, you are blind and lacking self-awareness. Check yourself. Media does not exist in a vacuum. Maybe in a hundred years, where Bury Your Gays trope are long forgotten, LGBT representation’s history are backed with decades of positive progression, maybe Lexa’s death would not matter as much as now. Right now, it’s not the case. It is the showrunner’s responsibility to research about these issues. The scene was not a good job well kind if the goal was getting an emotional response. It was bad. It was stupid.
But I got angrier by the fact that the show had baited and used an already vulnerable community for buzz and ratings. The weekly teases. The constant assurances. It was too good to be true. After day 3, I breathed and was resigned. It was due to unwavering weariness and distraught that came from a community that used to joke about candles and raccoon and heights. Tumblr was filled with incredibly depressing and sad posts. No pictures. No jokes. No gifs were made. The main source of my pain/heartbreak truly really came from that. Young teenagers scrambled to older voices of the fandom for comfort. The adults who had to go through another traumatic death. People sharing emergency links. It’s difficult enough to talk about it. Because every time I do, I’m heartbroken all over again. There’s a fear attachment to this community when we see a queer character and the initial thoughts that will come to mind will be “She’s going to die. Isn’t she?”
Is she? Will she? When will be time? Story wise, I had a feeling she was going to die. I was prepared a little. Years of poor representation had prepared me for the inevitable. When it really happened, I was caught off guard. It was NOT shocking that a queer character had died. It was shocking in a bad art fashion. There was no agency to her death at all. But what frustrates me the most is the show and their interaction with their fans. The show dangled the equal representation in front of them. They created a safe space. Staff sharing pictures of the bed. Like ooohhh a bed!!!! Jason invited fans to the Vancouver set and people were shown that Lexa was there. It created a false hope that maybe Lexa truly survived. It did not help at all. They just made it worse. They took queerbaiting to a next level. I could accept Lexa’s death. But I would never accept the way they used the community. They may have not realised it. But they should have known better than to dangle a nice carrot in front an already desperate and starved community. People are angry because they were betrayed.
Pacing and compression have been tearing this season apart. It was so especially cruel that the death scene took place literally 2 minutes after the love scene. Because that was it. The pinnacle of happiness. This was the moment that people have been waiting for. The love scene was heartbreakingly beautiful. The lighting, the acting, the little tear ADC made that was never scripted. People were over the moon. That was it. It was a high point. Then the death scene. People did not have the right amount of time to process the love scene. Then this? It was cruel. Hope literally crushed in front of their eyes. I’ve watched the reactions and you could see the stark difference. The stupid stray bullet made it worse. The reason of Lexa coming into the room pushed the knife further in people’s already broken hearts. She was killed because she loved. She had been taught early on to prepare for death. She was prepared to die at any time. She talked about death like a countless of times. Love is weakness was embedded in her brain. But Clarke came. Clarke loved back. Love is strength. And Lexa was killed at a moment where she most wanted to live. I laughed when I think about it now. Because it was such a stupid death. The rest of the episode was enjoyable. But it was tainted by the death scene. And the death scene tainted every past interaction of Clarke and Lexa had. I could not watch reruns of past episodes knowing what I know. Maybe in the future. Maybe ‘someday’.
‘Someday’ another message the show gave. Maybe someday. Interpret it how you wish.
The past week on the internet has been interesting. The casts and a PA and Javier have been lovely. Then you have the showrunner only sharing good articles and not acknowledging the grievances of his distraught viewers. His silence speaks volume. An apology or an acknowledgement what you did still comes a long way. It may not get rid the anger but it may help them to heal. It does. It really does. I don’t know whose idea for some of the writers to come on the periscope. Because it sparked a new found anger in the fandom. Someone asked about Bellarke. A writer said something along the lines “The looks he gave her… Lexa was not Clarke’s soulmate something..”. It does not help when the writers deleted their periscope and disallowing people to replay the video. It spreads misinformation. Who handles their PR? Do they even have one? Then I remembered on how they handled their fans and the shipping aspect. All I could say it’s disaster. After the EP8 had aired, the showrunner retweeted a Bellarke fan’s tweets that said bullies, cowards.. basically the LGBT community. Disaster.
This season have been rushing the plots, overshadowing the characters’ development. The plot should always be secondary to the character or at least go hand in hand. That’s why Bellamy’s character this season is hard to watch. That’s why it’s hard to understand where Pike’s xenophobic views coming from. If we had spent some more time in learning what they know, I would understand but still be against their agenda. But they rush that to get to the plot. The Polis storyline was clearly spent more time on and well written, hence was more enjoyable. I already have other problems with the show. This was the last hit. Frankly, I’m not here for this show anymore. The representation made me stay, I’ve realised. But now, it has been crushed terribly. The other characters do not interest me. I love Clarke, Raven, Octavia, Bellamy. But I don’t feel it in me to watch this show anymore. I love sci-fi shows. Unfortunately, the 100 is no longer that for me.
Anyway, I enjoyed this podcast. I don’t mind being emotionally manipulated if it’s a well-made scene. I’ve watched death scenes. There were good ones and bad ones. However, for the 100, I can’t say the same. Because it was made in such a way that made me question loudly of the integrity of the show. I apologise for the lengthy comment. I didn’t realise.
On a personal level, this woman conveys the pain. vimeo.com/157873919. On Lexa’s death, this person explains it well. deathtodickens.com/post/140627903075/how-do-you-feel-about-lexas-death-on-the-100.
Thank you so much for this guys. I really appreciate it. We’ll keep going until something good happens for Lexa and what she represents to us. Bless ya’ll.
Thank you for doing this podcast, you guys said a lot of things that I have been trying to say but couldn’t find the words. This whole week has been a rollercoaster of emotions for me. I was sad, then in denial and then sad again and angry, like really angry. And right I just don’t care, Im not going to watch the show anymore, I was planing on still watching it even after 307, but Thursdays episode just made me even more angry and I refuse to give this show anymore of my time and feelings. But through this whole thing the good thing that happened was we managed to raise over 30.000 dollars for the trevor project and that makes all of this a little bit better. So again thank you for saying what I couldn’t find the words to say.
Over $47,000 now—as I keep saying, Leskru channeling people’s frustration and pain into something so positive, raising awareness and making their voice heard in the process, is wonderful.
Echoing the other commenters here: great discussion that helped me understand my own thoughts and feelings. I am 53 years old and was a bit embarrassed to feel so damn much about Lexa, her death, Clarke and Lexa’s beautiful and gradual recognition of each other as full, moral characters, etc. After Mo pointed out that good story telling makes us invest emotionally in characters, I have stopped feeling ridiculous. Literature, movies, TV — they all matter as story telling devices. And it is okay to invest in awesome characters like Clarke and Lexa. Look, the 100 still has a lot to offer in terms of characters, ingenious sci-fi connections, world building, and moral questions. I am definitely still watching, even as I feel a sadness dogging my heart. Thank you for this podcast.
You should never be embarrassed to feel empathy, even for fictional characters! We invest in stories because we see ourselves in them, or those not too different. I’ll take empathy over apathy any day.
I just wanted to thank you all for this. Hearing it put out there and explained in terms that even someone not familiar with the show or the characters could understand really helps. I felt a bit foolish for having such a strong emotional reaction to Lexa’s death, but over the last week or so, that feeling left to be replaced with sadness and even a bit of rage. It IS a trope. It is severely overused, and it is harmful. Watching Lexa die on screen like that pulled me back into all those self-doubts and fears I had as a fifteen year old lesbian growing up in the very deep Bible Belt South. It opened a lot of old wounds for me and made me feel like that scared, alone kid all over again. So I get it. I understand how the young queer girls watching it felt. It was like watching yourself die. Watching yourself be punished for your feelings of love and attraction to another woman, and by the man that supposedly loved you as a father no less. I just wanted to say thank you. I feel validated and I feel a little less foolish. Good, rich, wonderful stories are supposed to pull us in and make us feel, otherwise, what’s the point? Lexa is the one character death I don’t think I will ever get over. Some wounds never heal, as I was so blatantly reminded last Thursday, and some scars never fade. That is real important message here.
I just wanted to add two things to my previous comment. One is a minor correction: The season 2 of Fear the Walking Dead is comprised of 15 episodes, and not 22. The other thing is that there were two characters on the show that were killed by loving the people they love (jn a romantic way): Costia and Lexa, both in relationships with other females. Costia was killed for being Lexa’s lover and Lexa was killed because of her relationship with Clarke. Gina wasn’t killed for being Bellamy’s girlfriend. Maya wasn’t killed for being Jasper’s girlfriend, Finnn wans’t killed for being Clarke’s lover, etc. But the two lesbians were killed because of their love for another female. I’m sure it was not the writers’ intention but it is a terrifying, dangerous stat nonetheless.
[…] Lexa’s death, “The 100” and TV deaths in general are discussed on the most recent edition of the Televerse podcast, which is here. […]
[…] Lexa’s death, “The 100” and TV deaths in general are discussed on the most recent edition of the Televerse podcast, which is here. […]
I listened to this podcast last night (and am now a subscriber). First off, I want to say thank you for the thoughtful and insightful treatment of what’s been going on in this fandom.
That said, this episode helped me parse my own reaction as a gay woman. I’m in that notorious 18-35 demographic and joined The 100 fandom fairly recently- mostly because of the LGBQ+ representation that I understood (erroneously) to be promised by the show runner. When I say that my understanding was erroneous, it’s because I mean that I wasn’t intentionally mislead- though that is a recent understanding. I think that Jason in all of his promises regarding treating the story line and characters correctly- understanding what progressive representation meant- was just saying that (as far as he thought) his story about artificial intelligence and reincarnation in a (already problematic) narrative about colonialism would be so awesome that the LGBT+ audience he had recruited and used as a street team would be okay with how he resolved Lexa’s story. Clearly, this was incorrect, but I don’t think it was a cynical grab so much as privilege running rampant. That doesn’t make it okay. And I fully support my community’s efforts to not only publicly drag him, but also seek change in media representation point blank. I just no longer feel betrayed, though I do feel tired and a little more jaded and cynical.
Part of what made this truly devastating (because I was devastated- after the episode I alternated between numb, despondent, and frustrated until I was drunk enough to sleep) was watching the rest of my community go through varying degrees of similar reactions. I watched the younger members lose a little of the brightness that they had previously had in almost real time in reaction videos. I watched people my age feel like their grief was inexplicable, but also be very concerned for our younger counterparts. I know older gay women who loved this show because of the light it seemed to promise, and felt heartbroken in new ways as I thought about growing up under the Hays Code and seeing the same LGBT+ stories repeated even when it was no longer an official thing only to find hope and have it dashed so brutally (as if to say “You will never see a day when the world you live in doesn’t want you and your love dead”).
The amazing reaction of this fandom, both in a creative and activist sense, has helped me keep going. You’re understanding of our hurt, frustration, and anger is also a beacon of hope. Thank you.
we are all from the same DNA …i share your pain with all my heart! this Fandom has been creation a REVOLUTION! LONG LIVE LEXA and HER REPRESENTATION!
Thank you for sharing this, Candace.
A great discussion of this whole ‘Claxagate’ / The100 mess and also a great article by Mo Ryan from Variety – it is great to see that an mainstream industry mag (Variety) is calling out the producers of the 100 and its treatment of LGBTQ caharaters and also the fans. When I came out in the early 90’s there was no representation in mainstream media of LGBT/ Queer characters and if there was, it was an identity crafted by – and as seen through the eyes of – the white middle-aged heterosexual male gaze. For too long, women and LGBTQ characters have been marginalised, over-sexualised, stereotyped and submitted to heteronormative agendas – and yes this includes the dead lesbian trope.
Although we as a society have come a long way, it is still extremely disappointing that we are still constantly relegated to grovelling around on the floor for scraps of [good] LGBTQ representation. Oh the horrible lesbian movies that I had to sit through in my past just to get to see someone telling ‘my stories’ and don’t get me started on the heart break I have had to endure as I watch show after show with their, for want of a better word ‘queer baiting’ and the fulfilment of the ‘a lesbian can’t be happy’ or the ‘a happy lesbian is a dead lesbian’ tropes.
Ahh, yes the dead lesbian trope. I have to say that as an older lesbian [maybe that should read old enough to know better lesbian] I have survived through many LGBTQcharacter deaths – although I freely admit to never being able to submit myself to the torture of watching the final ‘Friend in Need’ episode of Xena despite being slightly obsessed by the show; I just couldn’t go there and probably never will, especially not now. I regularly watched The 100 and was just so shocked and speechless of how shit went down – yes compression of events was such a big issue in this story line and it is this that was most jarring for me. Ironically my partner and I had joked that “yes there is a lesbian character so I am sure she will be dead soon”.
I don’t pretend for a second to understand how it is that the creature ‘mainstream media’ works, especially with regards to availability of actors, contract negotiations blah blah blah… if it is the case that a studio doesn’t have enough foresight to secure a good and popular actor and the character MUST be written off, at least show both the character and the fans a little fucking respect, which is for me I think another big rub – Buffy 2.0 anyone… I have no words for how lazy this idea was…
By respect, I mean I want representation, good [well written and crafted] LGBTQ characters and not at the expense of the story and I never really want the fact that character A is a lesbian or bi etc. to be the most important thing about them – I suppose that is the beauty of the characters in The 100, they inhabit a world where it doesn’t matter. Having said that however no TV show can be viewed in a vacuum, we as viewers do no live in the ‘it doesn’t matter world’, we live in a world where LGBTQr teens are more likely to commit suicide or have mental health issues, heavens here in Australia there isn’t even marriage equality, and there is definitely very little representation on TV.
In response to those that say the character was treated no differently than any other character, because after all everyone in The 100 dies. Really though we you think about it in the wider context this character was much more loaded than that, and whether or not death was a complete necessity that’s another matter. I don’t think that we are at a point where show runners can use the excuse of treating LGBTQ characters as equal to non LGBTQ characters as an excuse to kill a character off – we just aren’t there yet as this thinking misses one very vital issue – representation or lack of it. Yes sure, she was killed off like any other character in the show but that leaves us with what – I might be missing something but are there any other lesbians alive and regularly featured as anything other than plot devices on this show? Kill off a representation like Finn and you have many other white, male heterosexual character representations to choose from. I don’t want complete fan service but I do think that maybe for now these characters do need to be treated differently.
To those that say that it’s just a TV show, well yes it is but at the same time it’s not. I watched a YouTube video, well I have watched loads but this one entitled “Why Lexa’s Death is Unforgivable: Reflecting on The 100’s Exploitation of Queer Women in 3×07” https://www.youtube.com/watch?v=8LVINCN8TbY made an interesting and important point – that TV and the community that is crated around shows like The 100 is in a way like sport. It is a way for people to come together, to help people find a voice, an identity, an escape, make new friends, express themselves or even to simply help people feel not so alone. Now for many due to the events of the past week and the perhaps some would say the short-sighted decision by whoever made the decision to kill off Lexa, a much loved and major character in the story that is The 100, people are not only mourning the loss of a character that they loved but also a community in which they felt safe and cherished.
As for the reaction … I think what we are seeing now is the collective rage of years of under representation, poor representation and the mainstream media treating the LGBTQ community as second class citizens – in addition to the fact that LGBT fans feel used. Hopefully it’s a zeitgeist in which young LGBTQ take up the challenge to start telling our stories our way – stories where LGBTQ characters are happy, they fall in love, they fuck and they survive but more importantly survive well, because yes, maybe life should be more about just surviving even for a fictional character.
It is good to know that there is perhaps hope for the next generation with young people who have the drive to stand up and say enough is enough so that we can change the representation of LGBTQ characters in mainstream TV
You have no idea how much your words mean to me.All i needed was understanding from someone outside of all this mess.I am really really grateful.
If our discussion helped even a tiny bit, I’m very glad.
Such a great episode! I’m glad you mentioned the trouble and misleading social media posts from the showrunner and official accounts. Balancing teasing with outright lying to fans is something a lot of shows seem to be having trouble with these days. Arrow is dealing with the same mess: after the season premiere the showrunner did a bunch of interviews saying they hadn’t yet decided who was in the grave in the flash forward, and Stephen Amell also said he wasn’t told who it was before he shot that scene. But last weekend at a convention, Amell admitted that he and the writers knew who was dying all along. I don’t expect people connected to the show to divulge spoilers, but blatant lying to fans seems like the wrong move.
I didn’t know that about Arrow—thanks for bringing it up! It’s one thing to avoid the truth, dodge questions, or straight up refuse to answer. Going out of your way to lie is another thing entirely. What an odd and completely unnecessary choice by the Arrow team.
I loved the podcast, but there was an information that was wrong, I think. Fear the Walking Dead doesn’t have 22 eps per season. The 1st had 6. The 2nd will have 15. It’s basically a mid-season show. And the timeline for filming would work for her to come back, because The 100 starts airing in january and FTWD just in april or whatever. So , filming The 100 would start much earlier. Plus, AMC and the people involved in FTWD said that they were okay with borrowing Alycia for The 100. Jason Roth said this himself.
Thanks for the correction, and for listening, crlp!
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